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The banner was painted at Tours, while Jeanne was staying there, before her march to the relief of Orleans. A Scotch painter named James Power made it. The account for payment, in the "Comptes" of the Treasurer of War, gives: "A Hauvres Poulnoir, paintre, demourant à Tours, pour avoir paint et baillé estoffes pour une grand estandart et ung petit pour la Pucelle . . . 25 livres tournois."
The description of this banner varies in different authors. The following account is compiled from them. "A white banner, sprinkled with fleur-de-lys; on the one side, the figure of Our Lord in Glory, holding the world, and giving His benediction to a lily, held by one of two Angels who are kneeling on each side: the words 'Jhesus Maria' at the side; on the other side the figure of Our Lady and a shield with the arms of France supported by two Angels" (de Cagny).
This banner was blessed at the Church of Saint-Sauveur at Tours ( Chronique de la Pucelle and de Cagny). The small banner or pennon had a representation of the Annunciation.
There was also a third banner round which the priests assembled daily for service, and on this was depicted the Crucifixion
(Jean Pasquerel - chaplain and confessor of Jeanne).
Another banner is mentioned by the Greffier de la Rochelle, which Jeanne is said to have adopted as her own private pennon. It was made at Poitiers; and represented on a blue ground a white dove, holding in its beak a scroll, with the words, " De par le Roy du Ciel."
The banner of Jeanne d'Arc by T.F. Mills. sep. 1998
Jeanne was not canonised until 1920, so there is no question of her flag being associated with sainthood -- at least not officially. The white cross and fleur de lis of France are attributed to her and Charles VII. She approached the King with her vision and plan for liberating France from the English, and thereafter led her troops in battle with a personal heraldic standard. She carried it personally and did not actually fight.
After relieving the siege of Orléans in May 1429 , she carried her standard at the coronation of King Charles at Reims. She was apparently carrying it when she was wounded at the St. Honoré gate of Paris in September 1429.
I am not sure how much of this is legend, or if anybody really knows what the standard looked like. (I have seen representations that were almost all white, and others that contained a lot of colour.) It allegedly contained the words "Jesus, Maria" and fleurs de lis, and perhaps other religious motifs like angels.
The white cross (whether or not it was included on her standard) was intended to be a contradiction of the English red cross, meaning that England was subject to France and not vice versa, and the multiple fleurs de lis represented the unity of the disparate parts of France.
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At her trial in 1431, Jeanne described the banner in her own words:
"I had a banner of which the field was sprinkled with lilies; the world was painted there, with an angel at each side; it was white of the white cloth called boccassin; there was written above it, I believe, 'JHESUS MARIA;' it was fringed with silk."
I don't think any other reliable evidence of the banner survives, so it is pretty much up to artistic interpretation. Some of her relics were allegedly preserved, but what purported to be her banner was burned during the French Revolution.
"Mrs. Oliphant" in Jeanne d'Arc (1926) interestingly writes:
"A repetition of this banner, which must have been copied from age to age, is to be seen now at Tours." (p. 62).
I have found no more recent corroboration that such a banner existed, nor a description of it as it allegedly existed in 1926.
Mary Milbank Brown in The Secret History of Jeanne d'Arc (1962) depicts the crest from the coat of arms of Charles du Lys (1612), which shows a waist-up figure of Jeanne on the helm with a sword in one hand, and her banner in the other.
The banner is very different from other depictions in that it is a true vexillum - with at the top a seated Virgin Mary flanked by two angels, two fleurs de lys above the angels, and three fleurs de lys in the field below this scene.
Brown claims that the King granted arms to Jeanne's brothers and ennobled them with the name "du Lys". She writes about the 1612 crest:
 "This armorial design ... is important because on it is preserved what may be regarded as the authentic standard of the Maid, all others having been legendized to misrepresent her true matriarchical convictions. In this vexillum the figure of the Great Matriarch, Isis-Maria, sits supremely alone on the throne, holding in her left hand the vesicular representation of her organ of generation, and in her right hand the symbol of the fleur-de-lis which in ancient times was ever the bird. The two fleur-de-lis at the top of her standard represent figuratively the two breasts; primitively the ideograph for breast was merely the sign of the Greek cross as tetrardic footprint of the dove or pigeon, placed over each mammary protuberance.
Immediately below, the two fleur-de-lis are preserved in their ornithic significance as 'angels', that is, birds in human winged form, kneeling in adoration to the Queen of Heaven. The three fleur-de-lis in the lower half of the standard, omitted in the other du Lysian coats-of-arms, represent the kingdom of the Ile-de-France.
The two sections of the banner symbolize the Church of Gaul of Virgin Mary-worship in superior position to the Kingdom of the Ile-de-France in subservient station, but with both the ecclesial and thronal halves as one kingdom politically.
The later legendized standards of her proselytizing show God the Father seated upon the throne supported by two masculine saints replacing Goddess the Mother and her two angels."
(p. 441)
Marina Warner in Joan of Arc (1981) implies that all this is nonsense, writing:
"In 1612, a certain Jean du Lys petitioned the king, then Louis XIII, that as the principal branch of the family of Jeanne d'Arc had died out, he might take over their coat of arms, the lilies of France. He claimed that he bore the cadet branch's arms, a shield azure with a golden bow, set with three arrows. This is the first mention anywhere of any such armorial bearings, and when Louis allowed Jean du Lys to quarter them with lilies, he authenticated in retrospect a coat of arms that was entirely spurious. But then the claim itself was hollow, since no descendants of Jeanne d'Arcs brothers have ever been traced by genealogists." (p. 194)
In other descriptions of the banner, it is said to include Jesus and Mary together, and Jesus alone holding in his hands the world. In short, there does not seem to be a reliable reconstruction of Jeanne's banner even though her judges at her trial were obsessed with its possible heretical nature and alleged powers of witchcraft.
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Overview
